Greensky Bluegrass

For two decades now, Greensky Bluegrass have been building an empire, brick by brick.  They are widely known for their dazzling live performances and relentless touring schedule, but that is only the tip of the complex tale of the five musicians that make up Greensky Bluegrass: Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [Mandolin].  The five are connected through a deep bond, just as they are seasoned road warriors, they’re a band of brothers who have seen each other through decades of ups and downs, personal and collective highlights, and the moments when life turns it all upside down. These are real people having real experiences. As with traditional bluegrass, they write about their own contemporary day-to-day happenings, emotions, and experiences in the modern world.

The band’s underground die-hard fans pack out venues across the country. They travel in droves and sell out multiple-night show runs at iconic venues like Red Rocks and The Ryman.

“As songwriters and musicians, we have a need for people to be on board,  we’re not just regurgitating the same shit,” explains Bruzza.  

Hoffman adds, “we aren’t a band all for money. We did it for romantic reasons such as love, catharsis, and because it mattered to us and the listeners. It would be easy to make decisions based on our needs to eat or the desires of others, but that’s not doing it for love. We love what we do, and we’re grateful for the love we receive in return from the people listening.”

Bruzza continues, “I hope they know we’re doing this for us and them.”

Once again ready to push the boundaries of their genre, Nashville based indie alt-rock band Moon Taxi is back with their sixth full length album, Set Yourself Free. With tracks ranging from rock to synth to pop to bluegrass, the new lineup showcases what 15 years as a band gets you: a polished, classic sound without fear of exploration. The five-member group- vocalist/guitarist Trevor Terndrup, lead guitarist Spencer Thomson, bassist Tommy Putnam, keyboardist Wes Bailey, and drummer Tyler Ritter- stepped back into their roots to create an album primarily written and recorded by themselves and set for release on their own label, 12th South Records.

“It was really rewarding for each of us. The last record had quite a few co-writes- this record did not. We challenged ourselves to write most of the material on our own and that’s really something to hang your hat on these days when you typically hire an outside writer or producer,” said Bailey on the band’s creative process. “We really tried to look inward and do a lot of that on our own.” Remote collaboration on Set Yourself Free started for the group during the pandemic, but 15 years of working together made that transition a smooth one.

“During the pandemic, we got used to FaceTime songwriting. For better or worse, it’s been a great way for everyone to collaborate remotely.  The lyics for the title track, Set Yourself Free, were even written on a 5 way call. And the song shows that collaborative color throughout. The idea of falling back on someone you trust is so important nowadays. But truly it’s how we’ve tried to operate as a band for all these years.” said Terndrup.

“You know, we’ve been a band for a while and we know each other really well. We spend a whole lot of time together, so it’s not that foreign to be able to get on a call and get your point across to anybody else in the band. We know each other well enough to be able to accomplish that,” added Putnam.

The album was finished through work in a few Nashville studios with the help of producer and collaborator, Brennan Aerts.

Despite a more fragmented process, the band regards Set Yourself Free as more reminiscent of their early work, citing it as fresh and exciting. Ritter believes they have a fan favorite on their hands- something that will re-energize the old fan-base as well as draw in new listeners. Without a set sound in mind, the group was free to mold the record into what feels like an authentic Moon Taxi album.

“We didn’t exactly sit down and have an agenda for what the album was going to sound like. We just worked on songs for a long period of time and then the last couple of months have been more of a discovery process – discovering what we’ve actually been doing and trying to make sense of the whole thing,” says Thomson. “So instead of going for some goal that we set out for, it was more just exploring things and seeing how they all work together. We just leave all our opinions in and that makes it more like a Moon Taxi record- it’s all our inside input rather than outside input.”

The 13-song record covers a number of genres in a sequence that remains interesting listen after listen. The opening song, “Walk Out,” is a fully instrumental piece that features each member of the group. “It starts out with a really simple melody and just morphs into this thing we can all play on top of,” Bailey observes. “I think it’s what our fans want to hear – that aspect, the performance of it. You can hear our hands and fingers in a lot of these tracks that maybe got lost on some of the previous efforts. For me, that’s really exciting.

Another band favorite is “Classics,” which was released as the first single from the record. The chorus line, “raise your glasses to the classics,” resonated quickly with the group as they recalled its debut at Hangout Fest when they used that line as a pre-performance toast. Driving and catchy, this song is an instant reminder of the songs we all live our lives to.

An ode to Thomson’s hometown of Bowling Green, Kentucky, “Evergreen” brings a bluegrass vibe to the album and features Grammy winning artist Molly Tuttle. Thomson had been hoping to write “a little nugget” about his beloved town, but after Bowling Green was hit by a tornado in 2021, the right words finally came to him. With endearing harmonies and a folky melody, “Evergreen” will surely inspire many listeners to book tickets to visit home.

With five previous albums under their belt, Moon Taxi had, and took, the opportunity to think outside the box and make some reaches, both musically and lyrically. “I think a lot of that freedom comes with having done it for a long time and on album number six, you’re no longer trying to find your sound like you are in earlier albums. You can kind of do what you want and then objectively look at it towards the end,” said Putnam. “You just trust yourself and your ear.”

Set Yourself Free showcases the skill of a fully developed and practiced group of musicians. Free from the barriers of genre and self-definition, Moon Taxi presents a fresh and bold take on their sound.